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goblin-juice:

I love this way too much

goblin-juice:

I love this way too much

(Source: chacomgelo, via alwaysbealonewolf)

besthondas:

For those groups who run the Osaka loop, and fall under the category of a kanjo runner, the masks are important, as they are used to hide their identity from cameras. In a majority of cases, the cars are not registered or insured, so the license plates don’t matter. As well, those who are retired from the serious night runs on the loop still hang their masks on the backs of their seats as a tribute. 

besthondas:

For those groups who run the Osaka loop, and fall under the category of a kanjo runner, the masks are important, as they are used to hide their identity from cameras. In a majority of cases, the cars are not registered or insured, so the license plates don’t matter. As well, those who are retired from the serious night runs on the loop still hang their masks on the backs of their seats as a tribute. 

truquetructruk:

A Whattoff Trailer Toter with adjustable chassis length and two driveshaft sizes.

(Source: steampunkvehicles, via vandertorque)

c1u:

reblog if you are into bondage or if you like french fries

(Source: reheating, via some-nigga-that-likes-racecars)

some-nigga-that-likes-racecars:

kelsynical:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

This hella reminds me of The White Noise. If you like this kind of sound, listen to ‘My Game of Loving” and “Love Without Sound” by them.

This sort of audio manipulation intrigues the fuck out of me.

(Source: ipissedinyourmountaindew)

death-by-lulz:

randomlittlespark:
You can tell by the way I walk I’m a women’s man no time to talk
Featured on a 1000Notes.com blog

death-by-lulz:

randomlittlespark:

You can tell by the way I walk I’m a women’s man no time to talk

Featured on a 1000Notes.com blog

(Source: gg-art, via some-nigga-that-likes-racecars)

goblin-juice:

I love this way too much

goblin-juice:

I love this way too much

(Source: chacomgelo, via alwaysbealonewolf)

besthondas:

For those groups who run the Osaka loop, and fall under the category of a kanjo runner, the masks are important, as they are used to hide their identity from cameras. In a majority of cases, the cars are not registered or insured, so the license plates don’t matter. As well, those who are retired from the serious night runs on the loop still hang their masks on the backs of their seats as a tribute. 

besthondas:

For those groups who run the Osaka loop, and fall under the category of a kanjo runner, the masks are important, as they are used to hide their identity from cameras. In a majority of cases, the cars are not registered or insured, so the license plates don’t matter. As well, those who are retired from the serious night runs on the loop still hang their masks on the backs of their seats as a tribute. 

truquetructruk:

A Whattoff Trailer Toter with adjustable chassis length and two driveshaft sizes.

(Source: steampunkvehicles, via vandertorque)

(Source: exitnetwork, via vandertorque)

c1u:

reblog if you are into bondage or if you like french fries

(Source: reheating, via some-nigga-that-likes-racecars)

simplylilj:

Buster

(Source: mennascope, via voidmachine)

(Source: ricecop, via fourstrokecycle)

leafeon420:

there’s a  swag in my boot

leafeon420:

there’s a swag in my boot

(via some-nigga-that-likes-racecars)

some-nigga-that-likes-racecars:

kelsynical:

robotlyra:

stevenwallaby:

claudefelixfloor:

711kid:

what the fuck

this is the scariest shit i’ve ever seen in my life

This is so cool. Eat Otomo Yoshihide’s heart out.

I’m used to associating this sort of heavy creepy distortion type audio as being achieved by internal studio mixing. Picking sections, warping them, reversing, repeating, all that sort of thing done with the board tools and programming suites. I didn’t stop to think that the same sort of effects could be achieved PHYSICALLY by fucking with the playback tools and the storage mediums themelves. It’s incredibly clever, especially when they introduce the cut-apart and reconstructed vinyl platters, it becomes the audio equivalent of cut-paste collaging or magnetic poetry. It takes something as ethereal and insubstantial as music, and makes it as tangible as sculpture.

This hella reminds me of The White Noise. If you like this kind of sound, listen to ‘My Game of Loving” and “Love Without Sound” by them.

This sort of audio manipulation intrigues the fuck out of me.

(Source: ipissedinyourmountaindew)

death-by-lulz:

randomlittlespark:
You can tell by the way I walk I’m a women’s man no time to talk
Featured on a 1000Notes.com blog

death-by-lulz:

randomlittlespark:

You can tell by the way I walk I’m a women’s man no time to talk

Featured on a 1000Notes.com blog

(Source: gg-art, via some-nigga-that-likes-racecars)

About:

22, blue-collar, working-class, white-trash.

Following: